The finely carved, meticulous works are made through the process of linoleum relief printing, as a result of her ongoing investigation into bitmaps and its relations to image construction and perception. Combining the compositional features of Dutch still-life painting from the Baroque era with a horizontally-lined bitmap, Fristad’s prints display moments of interfered observation.

Submitted as part of the Open Print Exchange 2022-23 with Open Press Project, Köln, Germany.

Teapot, 2023

linocut relief on Hahnemühle paper 300gsm, 7 x 7 cm.

Edition of 10 + 1AP.

Exhibited internationally.

Curated by Open Press Project.

Print Number: 622.

Seen in the following exhibitions:
Kölner Graphikwerkstatt, Cologne, Germany in September 2023
Case Western Reserve University, Cleveland, USA in September 2025

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Mangrove Ripples (2023)

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Interference of Perception: Rhopography (2022)